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By Danielle Paquette.
Radio Flyer sells a red scooter for boys and a pink scooter for girls. Both feature plastic handlebars, three wheels and a foot brake. Both weigh about five pounds.
The only significant difference is the price, a new report reveals. Target listed one for $24.99 and the other for $49.99.
The scooters’ price gap isn’t an anomaly. The New York City Department of Consumer Affairs compared nearly 800 products with female and male versions — meaning they were practically identical except for the gender-specific packaging — and uncovered a persistent surcharge for one of the sexes. Controlling for quality, items marketed to girls and women cost an average 7 percent more than similar products aimed at boys and men.
DCA Commissioner Julie Menin, who launched the investigation this summer, said the numbers show an insidious form of gender discrimination. Compounding the injustice, she said, is the wage gap. Federal data shows women in the United States earn about 79 cents for every dollar paid to men.
“It’s a double whammy,” Menin said, “and it’s not just happening in New York. You see in the aisles the issue is clearly applicable to consumers across the country.”
A Target spokesperson said the company lowered the price of the pink scooter after the report was released Friday, calling the discrepancy a “system error.” (The retailer blamed the same kind of glitch last year after catching heat for selling black Barbies at more than double the price of white Barbies.)
When asked about the price differences of other gendered toys — like the Raskullz shark helmet ($14.99) and the Raskullz unicorn helmet ($27.99) or the Playmobil pirate ship ($24.99) and the Playmobil fairy queen ship ($37.99) — the representative pointed to a company statement, declining to elaborate: “Our competitive shop process ensures that we are competitively priced in local markets. A difference in price can be related to production costs or other factors.”
Researchers for the New York City Department of Consumer Affairs pored over toys, children’s clothing, adult apparel, personal care products and home goods sold in the city. The largest price discrepancy emerged in the hair care category: Women, on average, paid 48 percent more for goods like shampoo, conditioner and gel. Razor cartridges came in second place, costing female shoppers 11 percent more.
Walgreens, for example, peddled a blue box of Schick Hydro 5 cartridges for $14.99. The Schick Hydro “Silk,” its purple sibling, was priced at $18.49.
Across the New York sample, women’s products carried higher price tags 42 percent of the time, while men’s products cost more 18 percent of the time.
Boosting prices according to who’s buying is nothing new. Hairdressers often charge women more. Nightclubs sometimes demand more cash from men for admission.
Price discrimination on the whole tends to be worse for women, though. A 1994 report from the State of California found they pay an annual “gender tax” of $1,351 for the same services rendered to men.
Women spend an average of 25 percent more on haircuts (that require the same amount of labor as a men’s style) and 27 percent more for the laundering of a white cotton shirt, a 2002 DCA study showed.
By Scott Allen.
When Nationals pitcher Gio Gonzalez takes the mound for his next start, he’ll do so as the first athlete with a sponsored beard.
Men’s grooming tool manufacturer Wahl announced the unprecedented four-month deal Tuesday at the National Press Club, where Gonzalez received a certificate of achievement for “facial hair excellence,” a T-shirt and a complimentary trim. Wahl also announced Washington, D.C. as the “most facial hair friendly” city in the country.
D.C. ranked 19th on the list of the most facial hair friendly cities last year. According to a press release, the Nationals played a large part in D.C.’s rise to No. 1.
While general popularity of facial hair helped dictate the results of the study, notable facial-hair-related events contributed to the rankings. In L.A., the male celebrity scene continues to support the anti-clean-shaven lifestyle, keeping the City of Bearded Angels at the number two spot. Third-ranked Seattle jumped five spots, raising questions about a possible Grunge revival, while newcomer San Francisco made a ‘Giant’ leap from 29th to 4th thanks in large part to a plethora of baseball beards and some post-season magic last fall.
By Michelle Goldberg.
Jessica Valenti is one of the most successful and visible feminists of her generation. As a columnist for the Guardian, her face regularly appears on the site’s front page. She has written five books, one of which was adapted into a documentary, since founding the blog Feministing.com. She gives speeches all over the country. And she tells me that, because of the nonstop harassment that feminist writers face online, if she could start over, she might prefer to be completely anonymous. “I don’t know that I would do it under my real name,” she says she tells young women who are interested in writing about feminism. It’s “not just the physical safety concerns but the emotional ramifications” of constant, round-the-clock abuse.
This is a strange, contradictory moment for feminism. On one hand, there’s never been so much demand for feminist voices. Pop stars such as Beyoncé and Taylor Swift proudly don the feminist mantle, cheered on by online fans. After years when it was scorned by the mainstream press, the movement is an editorial obsession: Sheryl Sandberg’s “Lean In,” Lena Dunham’s “Not That Kind of Girl,” Roxane Gay’s “Bad Feminist” and Amy Poehler’s “Yes Please” occupy, and sometimes top, bestseller lists. “Stories about race and gender bias draw huge audiences, making identity politics a reliable profit center in a media industry beset by insecurity,” Jonathan Chait recently wrote in New York magazine — a proposition that would have been unthinkable a decade ago.
On the other hand, while digital media has amplified feminist voices, it has also extracted a steep psychic price. Women, urged to tell their stories, are being ferociously punished when they do. Some — particularly women who have the audacity to criticize sexism in the video-game world — have been driven from their homes or forced to cancel public appearances. Fake ads soliciting rough sex have been placed in their names. And, of course, the Twitter harassment never stops. “Being insulted and threatened online is part of my job,” Lindy West, formerly of Jezebel, recently said on “This American Life.” Adds Jamia Wilson, executive director of the feminist advocacy group Women, Action and the Media, “It really can affect the way that people feel about themselves.”
Feminists of the past faced angry critics, letters to the editor and even protests. But the incessant, violent, sneering, sexualized hatred their successors absorb is harder to escape. For women of color, racial abuse comes along with the sexism. “I have received racialized rape threats that I don’t think I would necessarily receive if I were white,” Wilson says. “A lot of things about anatomy — black women’s anatomy.” She talks about the online abuse in therapy. “There is trauma, especially related to the death and rape threats,” she says. Eventually, such sustained abuse ends up changing people — both how they live and how they work.
In her epochal book “Backlash,” Susan Faludi described the anti-feminist cultural messages of the 1980s as a “relentless whittling-down process” that “served to stir women’s private anxieties and break their political wills.” Today’s online backlash may be even more draining. It saps morale and leads to burnout. “You can’t get called a c— day in, day out for 10 years and not have that make a really serious impact on your psyche,” says Valenti, who thinks about quitting “all the time.” Just how long can this generation of feminists endure?
Uppity women, of course, have long been targets of rage and contempt. In 1969, when Marilyn Webb spoke about feminism at an antiwar demonstration in Washington, many of the men who were listening erupted, screaming at her to strip and demanding that she be pulled down and raped. Feminists of the second wave regularly contended with real-world hostility from left-wing men that would be inconceivable today. Nona Willis Aronowitz, features editor at Talking Points Memo, is the daughter of the revered late feminist writer Ellen Willis, who wrote for publications including the Village Voice and the New Yorker. “Forget random online commentators — people who were working at her same publications were total sexists,” Aronowitz says. Male Voice staffers, Willis once wrote, regularly referred to their female colleagues as the “Stalinist feminists.”
So stories today about Internet abuse inevitably elicit cliches about heat and kitchens — demands that women toughen up and grow thicker skin. Punditry and activism, after all, are relatively cushy gigs. Reading “nasty virtual tweets” is far better than being “an undocumented immigrant trying to feed your family in America, or somebody who is wrongfully incarcerated, or any of the issues I used to work on,” acknowledges Sally Kohn, a Daily Beast columnist who was previously the only left-wing lesbian feminist contributor at Fox News, making her an especial target for trolls.
Yet try as women might to brush them off, the online pile-ons can leave them reeling, says Aronowitz. Some young writers have told her, only half-jokingly, that they feel like they have PTSD. “Are they not going to write a piece like that again because they’re afraid of the online hate?”
Indeed, some are not. In 2013, the pro-choice activist Jaclyn Munson wrote about going undercover at an anti-abortion crisis pregnancy center. Soon a stalker was sending her death threats. They scared her so much, she started sleeping with the lights on. A year ago, exhausted and depleted, she largely gave up writing online, deleted her Twitter account and now plans to go to law school, which she hopes will let her work on the issues she cares about in a safer, less exposed way. “It was just becoming really emotionally overwhelming to be on the front lines all the time,” she says.