Empathy in Communications


David Michael Newstead | The Philosophy of Shaving


Amy Agarwal is an experienced writer and editor who has learned to communicate effectively about the most vital subjects across different languages and cultures. But how she actually accomplishes that is a work-in-progress. Below we discuss inclusive writing and editing, how language changes overtime, and Amy’s work at the nonprofit, EngenderHealth.

David Newstead: EngenderHealth promotes sexual and reproductive health internationally. How do domestic issues in the United States come up in conversations and how does your team navigate that?

Amy Agarwal: Yeah, it’s tricky. When I started, we did have programming domestically. We had an adolescent sexual and reproductive health program in Texas in Travis County, which is one of the counties with the highest teen pregnancy rates in the country. It was a really cool program and I actually worked with that team a lot. They did a number of curricula products. One of the most interesting things to me was that they had such a large youth population that wasn’t identifying as heterosexual. Yet, all the curriculum was really focused on heterosexual sex. Those kinds of conversations I would have with my teammates quite frequently in that office. This was before the current nonsense. Roe comes up in our staff meetings on a regular basis. We don’t have an advocacy wing. We do advocacy where we’re working nationally, but not in the U.S. 

Thinking about overseas, Ethiopia is the country where we’ve had the most success. We haven’t done a lot of direct lobbying, but certainly support for abortion advocacy and safe abortion. And over the last 15 years or so, they have made some pretty strong changes both in their legal policy and also in how health systems are operating to be able to offer safe abortion services. So things can change. Things can change both ways.

David Newstead: I guess watching too much U.S. news, it’s easy to get tunnel vision. But your team would really have a great, comparative lens on these issues. Other than Ethiopia, are there other notable experiences from your time at EngenderHealth?

Amy Agarwal: One of the things I think about a lot when people bring up the situation in the U.S. is the fact these ideas about six-week bans or other bans or the Texas thing where you can sue doctors and sue pregnant clients. To me, it comes across as a lack of understanding of what an abortion is and how bodies work. People use the term “miscarriage” and the medical term for a miscarriage is a “spontaneous abortion.” I can think of people who I know that are very conservative and would argue that it’s not the same. But if you took medicine for that, you took medication that abortion clients need. You could have an abortion or you could have a miscarriage and still need the same kind of treatment that post-abortion clients would need, people just don’t want to use that language. I don’t know. I guess I’m pulling back to language, because that’s my callback on so many things. The rhetoric that I see in the news just annoys me. We had a program that closed like two years ago and part of what they did was a series of short briefs on abortion status, legal status, accessibility, implementers, that kind of thing across 25 countries. And there were very few countries that were fully outlawing all abortion and all abortion care services. A lot of the time it was limited to if the health of the pregnant person was in danger or the health of the fetus was an issue, rape or incest were big issues. A lot of them had classes if the pregnant person was unable to care for the child, whatever the case may be. So it almost seemed a lot more flexible, even when we’re talking about countries that are largely Muslim or devoutly Catholic.

David Newstead: Do you feel like your writing and editing work connects well with your organization’s mission and that you’re able to convey those messages in an impactful way?

Amy Agarwal: I do and I don’t sometimes. I think it depends. It’s a lot easier to write and edit in areas where there already is general support at least in our sector. About two years ago, I was asked to write this series of language guides. Actually, what I was told to do was “do a language refresh.” I don’t know what that means. I didn’t know when I was asked. I’m still not sure if what I did was what was intended. But what we ended up doing was a series of language guides. I just finished another one on gender-based violence, but the one that I did on gender, sex, and sexuality had so many people up in arms about stuff. The idea that we would refer to people as “pregnant clients” to be inclusive had several women complaining that they didn’t want to be referred to as a “parent.” Or that they earned their mother status and that they weren’t going to have that taken away from them. And I thought, no one is taking that away from you. All we’re saying is when you’re writing literature, use “parent,” because you don’t know. This is not written specifically for you.

I’ve seen it in other areas too. In my personal life, I had a conversation with a friend of a friend and the topic of Latinx or Latine came up. This guy got really angry and was like “No one says that. No one in Mexico would say that. That’s ridiculous. I’m not going to be referred to as that.” Well, you don’t have to refer to yourself as that, but if you are talking about an X group this is now the appropriate way to use non-gender specific language. So yeah. From that perspective, it’s been a little tough. I also did a guide on maternal obstetric care and working with some older doctors and taking language from the British Medical Journal and the American Journal of Public Health and the Australian Journal of Midwifery. They were also saying let’s stop using some of this terminology, let’s start using this new terminology to be more respectful of our clients. And some people’s reactions were “People aren’t going to understand that. That’s not what we say. It didn’t mean to be offensive.” Well, it doesn’t matter if you meant for it to be offensive. It is offensive to some people and just because you’re used to saying it doesn’t mean you have to continue to say that. But the idea of a shift in language I find interesting, because people have a really, really hard time being open to that concept.

David Newstead: Speaking of medical journals, some of the racial categorization language only changed maybe five years ago. And that’s stuff that’s straight out of the colonial era that really shouldn’t have made it out of the 1960s. So, somethings have to change.

David Newstead: What do you think is behind that hesitancy?

Amy Agarwal: I think the fact that it’s hard and it’s changing and you’re likely to make mistakes. I make mistakes all the time. That’s just what happens. And from my perspective, people don’t want to go down that path where they even have to try, because they’re at risk of making a mistake. And I also think people take things personally. A lot of this isn’t about me as an individual. I mean, the two examples I just gave don’t affect me at all. I have neither given birth nor am I Latina, but that doesn’t mean that I can’t understand that someone who is Transgender and is becoming a parent might not want to be called a “mother.” Or I had this conversation just a couple weeks ago on our abortion guideline about using the term “mother.” More than half of pregnant people in the United States who have abortions already have children. So if they want to be called mothers, they’re already mothers. But for the default terminology for someone who has never given birth and is looking to have an abortion to be “mother” just makes no sense to me. Like the idea that that wouldn’t be offensive or potentially emotionally distressing… I don’t know. It doesn’t seem that hard to me. And it’s not a huge change.

I have a cis child who is nonbinary. And I’ve had so many years of calling her “her” and “she” and using her name. And this is just within the last year that she’s now said that she wants to use she/they pronouns. We took her on vacation to Puerto Rico and when we were filling out the form, I asked her what she wanted to identify as and she said nonbinary. And I still in my head, and sometimes out loud, call her “she” because I’m just so used to it. But when I do, I also know they are very cool with it, because they understand that it takes practice. But to not even be willing to take that first step, I think maybe it comes from a place of privilege. It’s not affecting you, so you don’t have to think about it.

David Newstead: Maybe an unwillingness to see the variety of different circumstances and life experiences. There’s got to be a generational aspect to that, I’m sure.

Amy Agarwal: Yeah.

David Newstead: So these are things you work through? Other than wordsmithing, there’s also discussions and debates about how things should be referred to or updated?

Amy Agarwal: I kind of take the approach most of the time “here are track changes of my suggestions.” But like take them or leave them. I’m not going to be the police about this whole situation. I will tell you what I think could be more inclusive. And a lot of times my teams get it. They’re not argumentative about it as long as I haven’t misrepresented something clinical. They’re very willing to take my feedback. I find it’s more my U.S. colleagues who like to argue about stuff or like to reject my feedback. Like I was doing something for conference abstracts and I was saying that the conversation now is really against using “low- and medium-income countries.” There’s these colonial aspects to how we’re grouping countries just by their economy and what the Western economic ideals are. And people are like “Well, what do you want us to say instead?” You could name the country specifically. If you’re talking about regions, you could refer to those. And when doing these abstracts, I went back to do a copy edit after I’d done the more substantive edit and they ignored all my feedback. They ignored feedback on gender. They ignored feedback on economic issues. They ignored it all. Like okay, I’m going to fix your commas again and not let it ruin my day, I don’t know.

David Newstead: I guess that same generational factor to language affects international development circles as much as anyone else. Like in our lifetimes, terms like Third World and First World were still in regular use. I vaguely remember the transition to phrases like Global South and things like that. Because you differentiate between U.S. teams and other teams, I wonder whether that has to do with some topics being more politicized here.

Amy Agarwal: I’m sure it’s one of those things where there are multiple factors and different factors for different people.

David Newstead: Other than writing at work, do you write outside of work?

Amy Agarwal: Not a ton. I’ve had opportunities to do different kinds of writing than I’ve done for work in the past, which has been interesting. Like I’ve written a couple of blogs about language. I’ve done some of our press releases and stuff like that. But I don’t find myself having a huge desire to write otherwise. I think because I spend so much of my time doing it now.

David Newstead: Yeah, I get that. I remember when I had a more physical job the last thing I felt like doing after work was something similar to how I’d just spent my entire day. And now, I don’t finish working on my laptop for eight hours, then turn around and do my taxes online.

Amy Agarwal: I feel like people I know expect my writing to be perfect. I’m sure half my friends think I’m drunk every time I text them, because I autocorrect and I can’t be bothered to fix it and things make no sense. It’s like you get the gist of it, it’s fine. And they’re like, “Aren’t you a writer? Don’t you do this for a living?” Well, you’re not paying me to text you, so…

David Newstead: I’ve heard that before too, which is always funny to me. But about me speaking. And it’s like if I was good at expressing myself, I wouldn’t have spent years being like “I’m going to go write in my journal…” I mean maybe something good eventually breaks through, but it’s not like all the emotions and everything are super articulate the first time around.

Amy Agarwal: Yeah, that’s why there’s editing. 

David Newstead: Are there any recent accomplishments or upcoming work that you’re particularly excited about?

Amy Agarwal: I just finished a new language guide on gender-based violence. It was really great to be able to work on that. We have a Gender and Youth Social Inclusion Director that I co-authored that with. It was just really interesting to have some conversations around terminology like the idea of a victim versus a survivor. And when do we use which term? And who gets to choose which term we’re using? And that sort of thing. And because there’s such nuance and differentiation in what’s appropriate in what context, not just geographic, but individual circumstances. We were talking about doing a mini-orientation on gender-based violence for some of our country teams. That’s one of the things that’s on deck for when I get back to follow up on. I put together some ideas. And there were a couple other terms that were similar. For a while, I think the sector was using sexual and gender-based violence and now we’re back to just gender-based violence. So thinking about why that has shifted and why it’s important. Should we ever be using the term sexual and gender-based violence, because the idea is that gender-based violence includes sexual violence. So, do we need to exclusively call that out? Or if we are just talking about rape, how do we address that? I think it’ll lead to some interesting conversations with our country staff.

And then, we have the International Conference for Family Planning, which is usually every two years. But Covid has thrown everything off, so the last one was in 2018 and this year it’s in November. So, we had a dozen of our abstracts accepted for post or a presentation. So, I happily went on vacation two days after we got the notification of which ones were accepted and it’s like “I will reread those when I get back!” because I edited them in February and I don’t remember what any of them said anymore.

David Newstead: Always a good refresher activity.

Amy Agarwal: Yeah, it’ll be good, because I’m doing the design for those as well. So, I’ll have to rewrite those into post or presentation form and make them look all nice.

David Newstead: Regarding the language piece, you’ve discussed. And I’ve mainly heard this about French, but that some languages have more expansive or narrow vocabulary particularly around gender. How do you deal with those kinds of things?

Amy Agarwal: It’s interesting. We do have a significant West and Central Africa portfolio, so we really made an effort to have a lot of our materials translated into French and to have simultaneous interpretation available for trainings or for global meetings. And specifically on gender-based violence, I was briefly having a conversation with one of our directors who is based in India and she was explaining to me that she has had a lot of trouble with our teams constantly changing “survivor” to “victim” in French. So when we were doing the translation working with a professional translation firm, it was interesting to have that conversation with them. And I think that there’s a bit of difference between what has been normal. I think French just came out with a gender-neutral, third pronoun. But they just came out with it, are people actually using it? Are people even using it in Paris where I’m sure they’re more progressive than in Bamako? So how can we use language that’s more progressive, even though that’s not what people are used to. But at the same time, we know if we don’t start using that language, no one’s ever going to start using that language. French is definitely an interesting one for that reason.

David Newstead: And there might be other examples too that I’m not as familiar with. You know from what little I know about Arabic, I’m sure one or two things could be updated.

Amy Agarwal: Yeah, someone was texting me today, because their work was doing something. I had been talking to them about trans issues recently, but they brought up Hijra and the person texting me said “India has a third gender called Hijra.” And I was like… yeah, actually all of South Asia uses those kinds of terms: Pakistan, Bangladesh, Nepal. It’s not exactly the same thing as transgender from my understanding, but also I don’t live there. I haven’t lived there since I was six months old. It’s interesting to see, I guess. Because I think a lot of things we were talking about earlier about terminology in the U.S. and what’s shifting here and how that shift is going in other languages and in other cultures, whether it’s faster or at the same pace or slower. Some of the language we have now was just not language we had when I was growing up. In medical books, probably when I was in high school, the term hermaphrodite was still in use and now we don’t say that. So the fact is language does shift. Whether you want to accept it or not, it’s going to keep happening. You can cling to the old and get comfortable being uncomfortable. 

David Newstead: What else is important to you about language?

Amy Agawal: I think just the importance of de-personalizing language whether it’s in writing or in oral communication. Thinking a little more about the world around us. Having empathy for not only who we think our audiences are, but who our audiences might be. That’s where I get cranky sometimes when people push back on certain language. You might not like that or identify with that, but I don’t know who else is reading this. I might be offending someone unintentionally by using exclusive language. Just because you’re not thinking of someone as your primary audience doesn’t mean that they’re not also seeing that. Or just because you might not think that you have a family member or a friend who’s had an abortion, chances are you do know someone. Something like one-fifth of people with uteruses in the United States had an abortion at some time in their life. If you know enough people, you probably know someone who’s had one. So, the idea of being empathetic without knowing who your audience is or without having a personal connection is something I try to think about a lot when it comes to language in writing and editing.

David Newstead: My cranky thing is when I’m looking at a lot of news articles and things like that. There’s a lot of repeat phrases, so “ladies and gentlemen” falls into that category, but there are plenty of others. And they’re just a reflex. It’s a thing people say, because that’s what they’re used to. But all you would have to do is write “everyone” instead or “stakeholders” or fill in the blank. Crack open a thesaurus and figure it out, because you don’t have to phrase things the same way all the time. In fact, it’s more interesting if you try to diversify language. But when it comes to empathy for potential audiences, especially for your purposes, you’re making a gender-based violence guide that could be used by five different countries and for twenty different circumstances. It can’t just be one thing or about one group. It has to be inclusive. 

Amy Agarwal: It’s hard too. One of the other things we’ve talked about in terms of decolonization and generalization. Don’t refer to people as just Africans. Africa is a big continent. Within countries, there are different tribal groups. There’s different ethnic groups. To make that generalization is not good. You’re probably going to be misrepresenting a lot of information. But at the same time, you’re trying to address everyone. Finding that general language is important, because that’s the point. But if you’re just talking about people in Senegal, then you want to say “For Senegalese pregnant clients dealing with the health system infrastructure is a challenge.” And thinking about where there are those distinctions. And I think that can be a challenge for people to realize that there often times are not easy black and white answers. But thinking about the context and thinking about the nuance and the audience, it can be tricky, but I think it’s worth the effort if we want to have messages that are well received and well understood by large audiences.

David Newstead: I had a friend in Hawaiʻi who had some political job and she was always fighting this battle with the DC office. The DC office would send them general communications and also state-level communications and they would address their messages to Hawaiians. And then my friend would constantly have to explain to them, “Hawaiians are a specific ethnic group in Hawaiʻi, not everyone in the entire state. But you’re trying to talk to everyone, so this doesn’t make any sense.” And this would turn into this back and forth battle she would have all the time where it’s just like, “Your campaign literature makes no sense and I’m trying to tell you!” Hopefully though, I think under the best circumstances these are educational opportunities for the person writing and reviewing as well.

Amy Agarwal: Absolutely. That’s definitely one of things I love about editing. It’s such a good opportunity to learn about so many different subjects. I mean over the years, I’ve worked in economic growth, in education. Having that opportunity to learn about things and that includes language. What is the appropriate terminology? What is the latest that we’re using for clinical terminology? Or that we’re using for pedagogy and sort of thing, because it’s always changing. There’s always opportunities to learn and get better. The first part of it is recognizing that no one’s perfect. You’re not perfect. You’re going to mess up and it’s a continual work-in-progress kind of thing. 


For Bill Browder, Russian Sanctions are Personal


David Michael Newstead | The Philosophy of Shaving


Bill Browder’s new book, Freezing Order, is an engaging window into his decade-long campaign against Russian human rights abusers and money launderers. Beginning with the murder of his tax attorney, Sergei Magnitsky, in 2009, the book follows the legal battles, assassinations, and high-level scandals intended to obstruct the fight against corruption in Putin’s Russia and beyond. Now with Russian sanctions at the forefront of foreign policy, that work is more important than ever. Recently, Bill Browder joined me to discuss Freezing Order, the war in Ukraine, and standing up to Vladimir Putin. Our conversation is below.


David Newstead: There’s a real sense of danger that you articulate in the book as you’re travelling and campaigning to get more countries to adopt their own versions of the Magnitsky Act. Reading it, it felt like any day-to-day interaction might later be revealed to be an elaborate legal strategy against you, a covert attempt to harm you or your family, or possibly kidnap you. Can you just take a moment to talk about the stress of those experiences over the last decade? It sounded very draining.

Bill Browder: Basically, after the Magnitsky Act was passed Vladimir Putin instructed his security services to go after me in every way possible. And that meant death threats, kidnapping threats, arrest threats, arrest warrants, lawsuits. They made propaganda movies about me. They had probably a whole corner of the floor of the St. Petersburg troll factory devoted towards trolling me online. So, every day there was some malicious activity targeting me, going after me. And I guess on one hand, after a while you kind of get used to it. I didn’t feel in distress every day, but I could never relax. Every time they threw something at me, I had to be fully on guard and ready to thwart whatever they were doing. There’s this expression in law enforcement about terrorism: I have to be lucky every day, they only have to be lucky once. And so, the level of vigilance that I’ve had to live my life over the last twelve years to not be destroyed by these people is probably unimaginable for any normal human being. When I was being ambushed in Aspen, I was with my 17-year-old son. Agents of the Russian government were approaching my children. The whole thing was just really not cool.

David Newstead: When we last spoke in 2015, you mentioned that there might be a feature film in the works about Sergei Magnitsky and this whole ordeal. Is that still a possibility? Are there any updates you’d be open to sharing?

Bill Browder: We’ve gravitated from feature film to miniseries, because that’s how everyone consumes their entertainment right now. Since I last spoke to you, I met a very talented British screenwriter named Nicholas Martin who has written the pilot episode of Red Notice. He’s famous for a new movie just coming out called Golda about Golda Meir. And he also wrote an Academy Award nominated film called Florence Foster Jenkins, which has nothing to do with espionage. It’s about a rich woman who wants to be an opera singer. In any event, he’s the screenwriter. Perhaps more importantly, we have Doug Liman who was the director of the Bourne Identity movies, Mr. and Mrs. Smith, American Made, and a whole bunch of others. He’s a top A-list director and he’s joined the team as the director of the miniseries. And we’re now just in discussions with streamers in different parts of the world about funding the miniseries.

David Newstead: That’s great. And again, reading the book, that element of drama and intrigue really comes across in a way that would be very compelling as a miniseries.

Bill Browder: You know, I get a lot of feedback on Twitter and various other social media. And everybody says this has got to be taken to Hollywood. You just can’t make this stuff up.

David Newstead: You’ve done a lot of interviews over the last ten years and especially since the Russian invasion of Ukraine. Out of curiosity, what do you think press coverage of either the Magnitsky case specifically or of your campaign work often misses?

Bill Browder: Well, I think the one thing that really upsets me about the press coverage… and I just was noticing this today… is that the invasion of Ukraine didn’t happen on February 24, 2022. It happened in 2014. And the press has jumped into some kind of verbal trick that Vladimir Putin has played on everybody, which is to somehow call the invasion of eastern Ukraine in 2014 as being done by “Russian-backed separatists.” They use this phrase “Russian-backed separatists” as if they’re making a distinction that it wasn’t Russia that invaded Ukraine. And that distinction being reported on by the press on a daily basis has led to no sanctions, no serious consequences for Russia. And the fact that Putin was able to trick the world into no consequences led him to believe that he could trick the world again this time around. He assumed that he would be getting the same sort of light touch treatment this time. And I think if the media had reported properly on what’s been done since 2014… I mean, 13,000 people died in Ukraine as a result of Russia’s invasion in 2014. And to call the invaders “Russian-backed separatists” I think is a true injustice to what’s really been going on and that has led to lethal consequences.

David Newstead: Throughout the book, you’re especially critical of the lack of action by the British government over the last twenty years in holding Putin to account. Since February, do you feel British policies are finally where they need to be or are there still critical gaps that need to be addressed?

Bill Browder: I think that Britain has truly stepped up to the plate. And I’m never one to compliment the British government, but I do right now. In terms of leadership, Britain was first to supply lethal weapons to Ukraine in large quantities. They sent soldiers to train Ukrainians how to use those before the invasion. I believe that Britain’s involvement on the military side has been a gamechanger. And if we look at the sanctions list, Britain now has a more devastating oligarch sanctions list than just about any other country. Certainly more than the United States. Roman Abramovich has been sanctioned here (in Britain), he hasn’t been sanctioned in the United States. A whole bunch of other high value targets have been sanctioned in the UK. Now, I think everybody still needs to do a lot more sanctions before this is really going to slow the flow of money to Putin. There’s 118 oligarchs and only 35 have been sanctioned. But I would say that Britain has done a pretty good job and has surprised me on the upside this time around.

David Newstead: I saw earlier this week where you had mentioned this 118 oligarch figure. What’s behind that discrepancy if only 30 something of them have been sanctioned? Why aren’t the others being targeted?

Bill Browder: I think it’s just lack of time and raw intelligence in the different governments to mechanically work their way through the list and do something about it, but I think they will. I mean, it’s sort of the obvious thing to do. And there’s no reason why one Russian oligarch worth $20 billion is on the list and another one isn’t.

David Newstead: In addition to the steps being taken by Western governments, what’s been your reaction to private companies withdrawing from Russia? Have there been any notable examples, either positively or negatively, that have surprised you over the last few months?

Bill Browder: Well, I think the scale of disinvestment and the speed of disinvestment has been another positive surprise. I mean, I’ve literally spent the last fifteen years at places like the World Economic Forum and Davos and other business conferences warning people not to invest in Russia. There were still a lot of people who didn’t listen to me. And all of a sudden, nearly everybody has bit the bullet and pulled their money out even at great loss and I think that’s really helpful.

David Newstead: How long do you think it would take for Russia to recover from an economic loss like that?

Bill Browder: I think this is going to take decades to recover from. And it’s basically going to require a total regime change. And not one that we administer, but one that the Russians administer. And it depends how that regime change then looks afterwards. If it’s another KGB organized regime, this could go on for many decades. But if Putin self-destructs and Alexei Navalny becomes the next president of Russia, I imagine that the West will be quite open to assisting and re-engaging very quickly.

David Newstead: You know one thing that was interesting in the book was that you name and shame several Western based white-collar professionals like lawyers and PR specialists among others who’ve been essentially acting on behalf of the Kremlin for years and are key to Putin’s money laundering operations. Considering the current crisis and death toll, do you think people like that should face further investigations or consequences for what they’ve done?

Bill Browder: Definitely. One of the first things I’m proposing, which is really an easy consequence which doesn’t take a lot of legislative change, is to have countries other than the ones they live in ban their visas from future travel. So for example, there’s a bunch of British lawyers who have tried to terrorize journalists on behalf of Russians. Congressman Steve Cohen wrote a letter last week to the Secretary of State asking for their visas to be denied. That’s one thing we can do right away. But I think a lot of these people have broken the law, not just been unethical. They’ve violated various statutes of law and I think they should be prosecuted. People need to go to jail when it comes to effectively being a traitor to their country.

David Newstead: You specifically touch on several cases where the Foreign Agents Registration Act (FARA) needs to be more strongly enforced.

Bill Browder: Yeah. I mean, this is really a problem, because that’s the main tool for keeping agents of a foreign government from running wild across Washington and trying to disturb U.S. policy.

David Newstead: You also talk about your friendship with opposition leader Vladimir Kara-Murza and the attempts on his life. Kara-Murza recently returned to Russia against your advice, and he was promptly arrested. Do you have any idea of his current whereabouts or the conditions he’s being held in? Is he okay?

Bill Browder: He’s okay. I just spoke to his wife today. He’s being held in what they call a COVID prison. Like a COVID isolation prison. He’s not isolated from other prisoners, but he’s isolated from his lawyer. So, they’re kind of messing with him using administrative tools. But at the moment, I’m not aware of any mistreatment, any physical mistreatment that he’s been subjected to, which is in the very short-term a relief. But it doesn’t give me a lot of comfort.

David Newstead: You’ve previously outlined three possible endings to Putin’s presidency. The Mugabe scenario where he stays in power until he dies of old age. The Palace Coup scenario where he’s overthrown by other factions in the government. And the Maidan scenario where the Russian population collectively unseats him. How has your view on this evolved overtime and which of these scenarios do you feel like is most likely now?

Bill Browder: I think that the Palace Coup scenario has probably decreased, because Putin is so scared. You know, he’s sitting at these tables like 30-foot long away from his people. He’s truly terrified from anyone rising up. He’s been sending people off to jail among the FSB and his generals and so on and so forth.

But I think that the Maidan uprising scenario has probably increased significantly. Because if for some reason he missteps dramatically in this war, the cost that he’s foisted on the Russian people is so great that’s it’s not going to take a whole lot for fire in the streets. It’s hard for me to put a probability on it. And I think the main thing that would cause people to rise up would be a decisive military defeat. Not the kind that we’ve seen so far, but for the Russians to be chased out of Ukraine entirely. If that were to happen, I don’t think the Russian people would allow Vladimir Putin to remain power. And they wouldn’t exercise that desire in an organized fashion, it would be in a highly disorganized and unpleasant fashion.

But having said all that, I think that the Mugabe scenario is the most likely one. I now call it the Kim Jong-Un scenario, but we can call it the Mugabe scenario.

David Newstead: You know your book really helped close a gap for me in understanding how the Magnitsky case factors into the larger flow of money and the structure of the corruption scheme being perpetrated in Russia. So, lots of these crimes are going on, the stolen money funnels up, Putin and his inner circle get a percentage, and then that goes out of the country. Just because of the sheer scale of that corruption, do you believe that means there are hundreds or thousands of other Russians like Sergei Magnitsky who are victims of injustice represented in all this money being siphoned out of the country?

Bill Browder: I think there are hundreds of thousands of them. In fact, there’s some statistic that there are 300,000 economic hostages in Russian prisons right now. I mean, they’re not all being killed, but they’re all being taken hostage.

David Newstead: If there was just one thing that you wanted Americans to know or to do in response to all this information, what is it?

Bill Browder: That Vladimir Putin and a thousand people around him have stolen a trillion dollars from the Russian people in the last 22 years and that’s the driver of everything he does: covering up that crime, distracting the people from that crime, and trying to keep that money safe. Everything about their actions in the world is driven and originating from that theft.


Read Freezing Order by Bill Browder

Anne Sebba Explores an American Tragedy


David Michael Newstead | The Philosophy of Shaving


Biographer Anne Sebba recently joined me to discuss her latest book, Ethel Rosenberg: An American Tragedy, where she creates a nuanced, compassionate, and ultimately humanizing portrait of an often misunderstood figure. As Sebba explains, “I’m not relitigating the case. I’m not really even trying to justify Julius. I’m trying to understand – who was Ethel Rosenberg?” Our conversation is below.

David Newstead: What’s the reaction been like to the book so far?

Anne Sebba: I would say 99% has really found this is an important story that needed to be told from this different perspective. There have been a couple of people, as I expected, who want to relitigate the case and who don’t really understand. My premise was to separate Ethel from Julius and I wanted to understand who Ethel was and why her story mattered. There are some people who believe that passing secrets to the Soviets was such a heinous crime – and since we now know that Julius was someone who passed secrets – that Ethel therefore was guilty by association.

I’m sure she knew that Julius was passing information. I’m not sure we can know the extent of her knowledge. I’m quite sure she approved, but that wasn’t a crime. It’s clearly a love story. I think it’s three things really. If the book is about one overarching issue, it’s about the importance of the rule of law. And ultimately, Ethel was convicted on a miscarriage of justice or multiple miscarriages in a flawed trial. And I think it behooves us to remember that. It’s also about families. On one end, you have this dysfunctional family, the Greenglasses. And at the other end, you have the redemptive family, the Meeropols which you know all about. The more I’ve thought about that, it is a quite extraordinary set of two extremes with much unhappiness and difficulty in the middle.

In answer to your question, the response has been really fantastic and I’ve been thrilled by it. A lot of people in England didn’t know the story or they only knew the outline of the story. And I think most people have felt it’s about time that Ethel was restored her own voice. I mean, her metaphorical voice, not her actual singing voice, although singing of course is important. She was brutally denied her voice. And I’ve done what I can to restore her humanity. And I don’t see how anyone can object to that. Even people who believe she was a wicked spy and deserved to die must understand that it’s important to see her for who she was.

David Newstead: In terms of interviews you’ve had or people you’re talking to… I feel like Americans know about this case or at least portions of it, but maybe this has helped renew interest in it. But are you speaking more to American or European audiences?

Anne Sebba: I would say it’s roughly divided, but you are absolutely right that most Americans probably already have a view on this. For those who are on the left, they’re prepared to take a look who Ethel was and want to understand her. And those who believe that anyone who was sympathetic to the communists deserve their punishment, then their views are reinforced. In some ways, there’s a more open mind in England, but I wouldn’t like to generalize really. I could say that Ethel has certainly had a sympathetic reading by most women. I think the misogyny of the period is extraordinary and that needs explaining and understanding.

I mean, the weight that the judge put on the fact that she was three years older and therefore must be a fully-fledged partner. The way that many in the Jewish establishment particularly people like Morris Ernst and Roy Cohn believed in this sort of mangled Nietzschean philosophy that Ethel must have been the slave driver, the master, and Julius the weak slave. I mean, there was no evidence for that, but that ultimately passed to President Eisenhower. In his desperately sad letter to his son in Korea, Eisenhower says that although it goes against the grain to electrocute a mother, it has to be said that she was the senior partner. And that sort of misogyny, that Ethel was somehow some sort of wicked woman who had stepped out of her box within the home. Because she didn’t show emotion during the trial, because she was a communist believer, and because she was three years older, therefore she must be the leader in all of this. That is absolutely tragic, because the irony is, as I’ve gone to great pains to show, her primary focus was being a good mother at this point. Before she was a mother when they were in Washington, she passed the civil service exams before Julius. She, of course, gives up her job like a “good wife” and comes back to New York as soon as Julius does. Her whole loyalty towards Julius is really showing that she is a wife of the period, but she wasn’t believed to be that. At every stage you can see that because she wasn’t feminine in the traditional ways, somehow she was accused of subverting what it meant to be a good American wife. She came to stand for something really transgressive. Ethel came to symbolize an attack on whole American way of life really. This belief that they won the war, but they are in danger of losing the peace. I don’t at any stage deny that there was a real and genuine threat from the Soviet Union and there were American spies who were passing information. I’m not sure how much of it was Julius, but that’s not really the point. We know it wasn’t Ethel. We know that the KGB didn’t think Ethel was a spy. She had no codename in the Venona transcripts, which were known at the time of the trial. It just was not necessary to kill this woman. She could have so easily been given a custodial sentence. It’s just extraordinary, the harsh attitudes towards her as woman. The belief that she simply had to be punished and punished by death.

David Newstead: When I talk about this case with people, usually in relation to their sons and the Meeropols, I think a lot of people are surprised that both Julius and Ethel were executed. Sometimes, there are a cases where a mother and a father go to jail, but it has to be extremely rare at least in the United States for something like this.

Anne Sebba: She was the only American woman killed for a crime other than murder. It’s more than extremely rare. It’s unique.

David Newstead: I had heard about the true bonds between Julius and Ethel in the past. And you do great job talking about some of their love letters and other things. But a relationship I didn’t know anything about before your book was the complexity of Ethel’s relationship with her mother. And the fact that her mother denounced her. I just wanted to ask more about that. Can you explain that relationship?

Anne Sebba: I think that it probably wasn’t that unusual for immigrant parents to put an emphasis on the son’s education, but not necessarily to the exclusion of the daughter.And perhaps this was exacerbated because Ethel was bright! Ethel was so much brighter than her brother, David (Greenglass), whom her mother Tessie clearly adored. I don’t know this, but Tessie might have been bright, but unable to achieve anything. She was semi-illiterate and spoke Yiddish. Ethel helped and translated, so there could have been some jealous there. But I thought it was interesting that not only did Ethel not go to college when she could have, but also that David’s wife, Ruth Greenglass, who was very clever didn’t attend college either. It was difficult, because I suppose that they had to start earning money. Perhaps, Ethel would have gone back to college.

A psychotherapist from the case I spoke with said that Ethel was just about to break through with being a good mother. I suppose she wasn’t a natural mother, but what would she have done as a career? She might well have become a teacher or a psychotherapist. I think she was not done with her career is what I’m saying. But in terms of the mother-daughter relationship, I think that defined everything that Ethel tried to be the reverse of. I think when she was in prison and she was trying to think what can I leave these boys? I can’t leave them any material legacy, I can only leave them a legacy of how to behave. And I want to be a better mother than my mother was to me. I mean, she took mothering classes for goodness sake. Who do we know who does that? Mothering was a big new science and Ethel believed in the discoverability of all things. You know, she had this subscription to Parents magazine and she would have read childcare books by Dorothy Whipple or probably Dr. Spock and all of those thing were just emerging. But Ethel was trying to be a progressive mother unlike her own and the legacy she wanted to leave was the opposite of betrayal, so she focused on loyalty as the thing that she could bequeath her sons and I think that became really, really important to her. So, her mother’s behavior really focused her mind on what she wanted at the end, but probably throughout her life. She wanted to be a creative, artistic person and was denied that opportunity partly by circumstances. It was the Great Depression and they had no money. And partly by a mother who didn’t cherish her, didn’t value her, and thought that the only thing that mattered was getting married. Both Tessie and David Greenglass believed that Ethel was stupid to stick with Julius, she should have named names, and confessed, but I don’t think that was an option for her.

David Newstead: This case still comes up quite a lot in American culture. Meryl Streep portrayed Ethel at one point. Why do you think this case and Ethel Rosenberg specifically still resonates so much with people?

Anne Sebba: I think that’s such an interesting question and such an important one and one of the reasons why, of course, I was attracted to it. I first came across the story through the E.L. Doctorow novel, The Book of Daniel, which is highly fictionalized and doesn’t really tell you anything about Ethel. It tells you about the effect on the sons. It tells you about the madness of the country at the time. More potent I think is The Bell Jar, the Sylvia Plath novel. And in the last 70 years, it’s gone on and on and on. This very year, there was Francine Prose’s The Vixen, which I think is a very, very interesting novel. Writer Robert Coover. Angels in America as you say where Ethel is played by Meryl Streep in the HBO version. There are paintings of this story. Jack Levine. There are numerous artistic interpretations of the electric chair including Warhol engravings. What on Earth is it to make art out of an electric chair? There are collages. There’s a song cycle. But all of them have one thing in common really. They look at Ethel, not Ethel and Julius.

Julius is really, very straightforward… Ethel is a much more complex figure. She just doesn’t respond to this one-dimensional stereotyping. She clearly wasn’t simply a housewife. She wasn’t simply a communist. She was a singer-monkey. I don’t suppose she was particularly brilliant, but then she wasn’t trained. And the mere fact that she taught herself is something. I am convinced that she would have gone on to do something notable. But it’s the complexity of her role. Her love for her husband. Her loyalty. Her attempt to be the best mother she could. What did she know? And I think we will never know the extent of her knowledge. But as I’ve said many times, knowing and believing is not a crime. So, the crime for which she was electrocuted was an overt act that we now know was invented. It was perjury. And for someone to go to their death on the basis of their brother’s perjury… I don’t know if that’s a Shakespearean tragedy, a Greek tragedy, all I know is that it’s a tragedy.

And one can’t make sense of this. I mean, I don’t say that this story is America’s Dreyfus affair, because I don’t believe that antisemitism played the role that it did in France’s Dreyfus case. They were arrested following a clear chain of events. It wasn’t antisemitism that led to their arrest. Nonetheless, antisemitism is absolutely part of the toxic stew with misogyny and anticommunism that played into this story. And all of those are very potent still today. These issues have not gone away. A divided country is still something we’re certainly suffering from in England and I’m sure you would agree you are too. So, they’re important issues. And above all, the main issue for me is when a country overrides its own rule of law and dispatches one of its own citizens against whom it knows there is no firm evidence. You know, that is always going to be relevant. So, of course, Ethel is going to interesting to artists. While we’re never going to know the precise extent of what she knew and what she said, it’s always going to be a compelling story for artists to try to interpret.


Read Ethel Rosenberg: An American Tragedy

Revisiting Glory: The Civil War in Film


David Michael Newstead | The Philosophy of Shaving


The Civil War has a significant place in American cinema, capturing how our attitudes about race and history have changed over the years. Unfortunately, many Civil War films illustrate outdated, prejudiced views and for decades these movies popularized the myths and tropes of Lost Cause propaganda. Look no further than our nation’s very first blockbuster Birth of a Nation (1915), which is considered highly influential in filmmaking and extremely racist. However, even less offensive entries in this genre created since then often whitewashed history, which is what makes the 1989 film Glory so noteworthy. Glory depicts the all-black 54th Massachusetts regiment and its idealistic white commander, Colonel Robert Shaw, as the regiment trains and fights for the Union in the American Civil War. Groundbreaking and award-winning, Glory ultimately became standard viewing in schools across the country, so many Americans are at least somewhat familiar with it. To my surprise though, I recently found out a friend of mine who is an avid Civil War buff had never seen Glory. So, thanks in part to me constantly bugging him over the summer, he watched the movie and afterwards we debriefed. I thought the ensuing conversation would be interesting, because of our different experiences with the film. I saw Glory as a six-year-old in 1989. My friend watched it as an adult in 2020. Below, we discuss Glory and the Civil War in film, past and present.


Tony: Finished Glory. Hell of a movie.

David: Really? What did you think?

Tony: Just an all-around good movie. Morgan Freeman did a great job. My favorite part was when the white soldiers were cheering them as they marched towards Fort Wagner near the end.

David: In my opinion, Glory is the best Civil War movie… so far. Thoughts?

Tony: Do you count Lincoln (2012) as a Civil War movie?

David: I don’t, but maybe that’s part of the discussion.

Tony: Then, I would agree with you. I didn’t care for Gods and Generals (2003) or Gettysburg (1993). Thought The Conspirator (2010) was lame. But if you count Lincoln (2012), I’d say that’s my favorite. And if you count Dances With Wolves (1990) then that’d be up there too.

David: I was thinking about this the other day, because some movies take place during the Civil War, but don’t have actual battles like Lincoln (2012). So are those Civil War movies? Then, 12 Years a Slave (2013) is a very impactful film, but seems like more of a prequel to the Civil War. If that makes sense.

Tony: Lincoln (2012) has a battle at the beginning and the surrender of Robert E. Lee at the end. I think I’d count it, honestly. Dances With Wolves (1990) has only a tenuous connection in the beginning, but neither the setting nor the theme are related to Civil War issues. If 12 Years a Slave (2013) talks about the Civil War a lot, you might have to count it. I haven’t seen it.

David: Gettysburg (1993) is particularly bad. It’s unwatchable. It’s a reenactment propped up by a soundtrack. Terrible movie. I’ve seen some of the other ones you mentioned, but Lincoln (2012) was a little slow for me. I think Civil War movies overall though have historically run the risk of becoming Lost Cause propaganda and/or conforming to a whitewashed brother-against-brother narrative that omits or diminishes slavery entirely.

Tony: Lost Cause perspectives infuriate me. All you have to do to see that the war was about slavery is look at secession ordinances, which specifically mentioned slavery as why they were leaving the Union. I think Georgia might have been the only state that somewhat did it for “state rights” though even then the only state right at issue was slavery.

David: So my personal experience with Glory is that my dad took us all to see it in theaters on opening night when I was six-years-old. I have some distinct memories of this. I’ve always thought the soundtrack is fantastic. Then, only overtime did I learn why the film was so important historically, but to me, it is the Civil War movie on which all others are measured against. And even outside of Civil War discussions, there really aren’t that many movies about African American soldiers in any war, so Glory is also significant for that reason. But the strange thing is how few Civil War films even touch on these issues that, to your point, are central to that whole conflict – meaning slavery.

Tony: That’s true. I never considered that. Maybe in this more “woke” era someone will make another movie focusing on slavery.

David: I think the key difference between films like that now compared to Glory is that most of the African American characters in Glory are composite characters instead of specific historical figures. In contrast, Matthew Broderick plays an actual person named Robert Gould Shaw. But more recent films like Harriet (2019) or 12 Years a Slave (2013) have African American actors depicting real historical figures. And this discrepancy is worth mentioning because of all the mountains of historical research, old letters, archives, books, and so on about the Civil War that don’t require any fictionalized African American depictions for dramatic purposes. History is dramatic enough as is.

Tony: That’s a good point. You should write an article on it.

David: We’ll see. That’s pretty much the extent of my thought on it for now though.

David: Ken Burns’ The Civil War (1990) is also having an anniversary this year. What’s your assessment of that docu-series?

Tony: Really good. Though he gives a lot of screen time to Shelby Foote, who definitely jeans towards Lost Cause thinking.

David: That’s true. I’ve heard parts of it don’t age well, but I’m not going to re-watch something that long. Plus, I only really watched it last winter. As a kid, I remember it being on TV, but I didn’t pay much attention to it. Mainly, the series helped me understand why Ulysses S. Grant was so important. And I can’t help thinking of all Civil War letters in the style of Ken Burns’ The Civil War: “My Dearest Abigail…” with fiddle music softly playing along with the voiceover.

Interview with a Teacher 2020


David Michael Newstead | The Philosophy of Shaving


A veteran teacher reflects on the personal and the professional in a year of unprecedented challenges for education. In this interview, we discuss COVID, in-person versus online instruction, and what the future might look like. Music by Anti_Atlhas from Pixabay.

Listen to Interview with a Teacher 2017